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Interview: Max Temkin On Cards Against Humanity

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Photo by Brent Knepper for Cards Against Humanity

Interview with Max Temkin.  If you have ever played the popular card game Cards Against Humanity, you are a horrible person. If you haven’t, prepare to die of laughter. To play, one person reads a question from a black card as everyone chooses the funniest white card from their hand to be chosen. It sounds simple, but with cards like “A big black dick.” and “Not giving a shit about the third world.”, you quickly realize that it is not a game for the weak.

During an exclusive interview with co founder Max Temkin, he tells us about business, Black Friday ideas, and doing things the Cards Against Humanity way. Best known for creating the game, he is also the cofounder of Blackbox, creator of Humans vs. ZombiesSecret Hitler, and Slap .45, and is on the National Finance Committee for Hillary for America. Though involved in politics, he does things a little differently, as you can see with America Votes with Cards Against Humanity. Like a true entrepreneur, the list of projects is endless. He describes himself as just a designer, but to think of him as just that would be foolish. Max Temkin is an inspiration for those aspiring to take their hobbies to the next level.

How did CAH get started?

Max Temkin – I’ve talked about this extensively in other interviews, but basically, the co-creators of Cards Against Humanity have a long history of making games together, and Cards Against Humanity was the first good one we play-tested. We put it out for free and it gained a cult following. Then we did a Kickstarter.

What are your backgrounds?

Max Temkin – I have a philosophy degree and I work on Democratic campaigns and elections. Some of the other Cards Against Humanity co-creators have backgrounds in economics, science, and advertising.

Why did you decide to create dick jokes instead of working in a different field?

Max Temkin – It was mostly a happy accident! We all still have outside interests, though Cards Against Humanity is my biggest project now.

When was your a-Ha moment?

Max Temkin – I’m not sure what that means! A time that sticks out in my memory that I knew Cards Against Humanity was pretty special was when I was play-testing it at college… I had a bunch of friends over in my dorm room, we were playing it and laughing, and more and more people kept coming over and joining. The laughter was contagious, and people kept coming in attracted by the spectacle. I saw that happen and I knew something special was going on.

How has sarcasm benefited your company?

Max Temkin – Not sure how to answer this one. We always try to find something earnest or authentic to make a joke about, and something that makes us laugh.

What is your on-boarding process?

Max Temkin – Is that like when you hire someone? We don’t have a lot of formal procedures. Trin is our events director and is kind of in charge of office morale, so she helps people find their place in the company.

Describe your office culture.

Max Temkin – We have a large open office that we built in Chicago, it’s a co-working space full of our friends… other designers, artists, musicians, podcasters, and weirdos from around the city.

What is the best way to respond to negative feedback?

Max Temkin – I try not to get defensive and rush to defend myself… I usually take a moment to absorb the criticism, and then translate it into something constructive that I can act on. Sometimes people have constructive criticism that I can’t act on, and I just try to make sure that they’re heard.

Who are some influencers that you admire?

Max Temkin – I truly hate thinking of people as “influencers,” thinking like that instrumentalizes all of the relationships in your life and makes them transactional. I don’t know that you can think about other people in terms of being an “influencer” or not, and still view them as honest and emotionally available to you.

What is the biggest lesson you learned since starting CAH?

Max Temkin – It’s been very hard for me to delegate and give work to other people… even when they’re way better than me. Our design director Amy Schwartz is a much better designer than me, the best designer I’ve ever worked with, and I really look up to her. I know that she outshines me in every skill. But it’s still emotionally so difficult to give up the work.

How do you determine a good employee at CAH?

Max Temkin – We look for kind, funny, and well-rounded people who are first good human beings and second good employees. We value a diversity of experience and viewpoint, and whether people have full, real lives outside of work.

What advice would you give to people trying to start their own business?

Max Temkin – Every good business that you admire figured things out for themselves. They forged their own path and came up with their own way of doing things. Apple does things the Apple way. McDonald’s does things the McDonald’s way. Cards Against Humanity does things the Cards Against Humanity way. Reading business advice and blindly following what other people did didn’t get those companies anywhere, and it won’t get you anywhere either. To make a successful company or brand, you need to start from first principles and figure out your own way forward.

What advice can you give people new to crowdfunding?

Max Temkin – Again the whole notion of “giving advice” on crowdfunding is kind of crazy to me. The whole point is to authentically figure out what you’re about and how to connect with other people. Some advice I like from Matthew Frederick’s 101 Things I Learned in Architecture School is that successful designers learn to make design decisions conditionally – that is, with the awareness that they may or may not work out as you continue toward a final solution.

Where do you see yourselves in 5 years?

Max Temkin – Tough question – I have no idea if people will still be playing Cards Against Humanity or care about us at all in five years. For the last five years, I’ve had a personal goal of making one small Kickstarter project a year. Sometimes they’re really small and personal like my Maxistentialism zine. And sometimes they’re huge public projects like my new game Secret Hitler. But I’d like to think that I’ll still be doing that in a year.

How did you come up with 12 Days of Holiday Bullshit?

Max Temkin – We needed to come up with some way to market Cards Against Humanity during the holidays that was funny and still had integrity. The first year we did a holiday stunt, it was a pay-what-you-want pack and we made $70,000, which we donated to charity. We felt like the next year we needed to out-do that. The blind subscription, where you pay us and get a series of mystery gifts in the mail, was a nice escalation. We did that for three years and now we’re taking a break.

How often do you guys visit Hawaii 2?

Max Temkin – I’ve never been! I hear from lots of people who have been to visit, and apparently it’s really nice during the summer.

What do you do with all the dumb ideas that people submit?

Max Temkin – Mostly we use them as kind of raw brainstorming ideas… I don’t think we’ve ever gotten a crowd suggestion that went directly into the game.

What are some Black Friday ideas that didn’t make the cut?

Max Temkin – We probably investigate a hundred ideas that don’t pan out to get to the one that works. The original idea was a $0.01-off coupon, but we ultimately rejected it because we felt that it was still a marketing deal. We always want to do something genuinely surprising and risky. This year’s is going to be a doozy.

How did you come up with the idea for The Bigger Blacker Box?

Max Temkin – People asked us for a big box that held all the cards, and over my strong objections, we decided to give them what they wanted. This was the best product we could design that fit those needs.

A few Redditors mentioned that they want to send you beer. Has this happened? Have you received anything out of the ordinary?

Max Temkin – We’ve gotten all kinds of crazy gifts and things from people. I love that people feel like they have a relationship with us and want to send us stuff, I think that’s a sign that we’re getting our message out there and our voice is coming through.

 

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